Performance

The Meaning of Clarity (2026) NKF, Stockholm

An evening of readings organized by Luzie Meyer. The readers were invited to respond with an existing text to a quote from the American poet Rae Armantrout’s 1992 essay “Feminist Poetics and the Meaning of Clarity.” The reading took place on 14 October 2026 at The Nordic Art Association (NKF) in Stockholm.
With contributions by Rosa Aiello, Eugéne Sundelius von Rosen, Iris Smeds, Leda Bourgogne, Kristian Vistrup Madsen, Luzie Meyer.

Performance view, The Meaning of Clarity, NKF, Stockholm, 2026

Trauerspiel (2026) Kunstverein in Schwerin and Kunstverein Bielefeld

The performance Trauerspiel, created by Luzie Meyer, draws on the artist’s interest in the genre of the German tragic drama. The work engages with German history, grief, and the question of the presentness of Baroque modes of thought and action today. Based on an understanding of history as a process marked by ruptures, shifts in power, and political crises, the performance combines personal fictions with references to Daniel Casper von Lohenstein, Andreas Gryphius, and Margarete Mitscherlich’s Die Unfähigkeit zu trauern – a psychoanalytic reading of how experiences of guilt and loss are processed, as well as their aftereffects on the social consciousness of postwar Germany.

Performed by the Meisner actress Leila Gray.

Trauerspiel was commissioned by the Kunstverein für Mecklenburg und Vorpommern in Schwerin and premiered there in June 2026. The performance is closely linked to the installation that Luzie Meyer developed for the exhibition read to/for | I sense the doubling of time at the Kunstverein Bielefeld, whose site-specific references are incorporated into the performance.

Performance view, Trauerspiel, 2026 Performance view, Trauerspiel, 2026 (second view)

Towers (2025) Camera Austria, Graz

Performance on 8th November 2025 at Camera Austria, Graz. Photo: Natascha Reiterer. Watch video documentation here.

Performance view, Towers, Camera Austria, Graz, 2025

What Just is Justice (2025) KINDL, Berlin

8th June 2025. Finissage of Caught in a Landslide at KINDL – Centre for Contemporary Art. Photo: Fabian Brennecke.

Performance view, What Just is Justice, KINDL, Berlin, 2025

Instinct Rewritten (2025) MINT Poetry Festival, Stockholm

Performance at MINT Poetry Festival. Accompanied by composer and performer Vera V. Almgren. Photo: Johan Österholm.

Video: Excerpt from Instinct Rewritten at MINT Poetry Festival in Stockholm, March 2025. With musical accompaniment by composer Vera V. Almgren. Footage shot by Magdalena Barthofer.

Performance view, Instinct Rewritten, MINT Poetry Festival, Stockholm, 2025

Performance (2024) University of Applied Arts, Vienna

A cooperation between Collection and Archive & Art and Knowledge Transfer at the University of Applied Arts Vienna. The event was part of the lecture series Repetitions. Artistic Perspectives, organized by Stefanie Kitzberger, Eva Maria Stadler & Jenni Tischer. Read more here.

Performance view, Performance at the University of Applied Arts, Vienna, 2024

Untitled (2024) Kemmler Foundation, Berlin

Texte zum Nachdenken at Kemmler Foundation, Berlin. Photo: Magdalena Barthofer. Watch video documentation here.

Performance view, Untitled, Kemmler Foundation, Berlin, 2024

Untitled (2024) Fanta-MLN at Repertoire, Berlin

Photo: Adam Harrison.

Performance view, Untitled, Fanta-MLN at Repertoire, Berlin, 2024

Stitch Theory (2023) Badischer Kunstverein, Karlsruhe

Live performance of the contribution to c0da.org, a feminist platform for coding and writing created by Katrin Mayer, in collaboration with graphic designer Anna Cairns.

Performance view, Stitch Theory, Badischer Kunstverein, Karlsruhe, 2023

An evening with three performances by Sanna Helena Berger, Theresa Patzschke, Erika Landström (2022) Kunsthalle Bremerhaven

Organized by Luzie Meyer in the framework of the solo exhibition Cyclic Indirections (2022) at Kunsthalle Bremerhaven. Photo: Fred Dott.

Performance view, Evening of performances, Kunsthalle Bremerhaven, 2022 (1) Performance view, Evening of performances, Kunsthalle Bremerhaven, 2022 (2) Performance view, Evening of performances, Kunsthalle Bremerhaven, 2022 (3) Performance view, Evening of performances, Kunsthalle Bremerhaven, 2022 (4)

What Happens When One Looks (2022) Kölnischer Kunstverein

Live performance of the contribution to the exhibition and performance project Pure Fiction Shifting Theatre – Sibyl’s Mouths, realized with Pure Fiction (collaborators: Mark von Schlegell, Rosa Aiello, Ellen Yeon Kim, Erika Landström).

Performance view, What Happens When One Looks, Kölnischer Kunstverein, 2022

Performance for Amatter (2022) Cittipunkt Berlin

Amatter is a Berlin-based performance series organized by Sanna Helena Berger and Adrienne Herr.

Performance view, Performance for Amatter, Cittipunkt Berlin, 2022 (1) Performance view, Performance for Amatter, Cittipunkt Berlin, 2022 (2) Performance view, Performance for Amatter, Cittipunkt Berlin, 2022 (3) Performance view, Performance for Amatter, Cittipunkt Berlin, 2022 (4) Performance view, Performance for Amatter, Cittipunkt Berlin, 2022 (5)

Untitled (2021) Cinema Beltrade, Milan

Club To Club by Gucci. No photo credit.

Performance view, Untitled, Cinema Beltrade, Milan, 2021

Die Betrügerin, die Menschenfreundin, die eingebildet Kranke (2019) San Serriffe, Amsterdam

HTSU (How To Show Up), San Serriffe, Amsterdam.

Performance view, Die Betrügerin, die Menschenfreundin, die eingebildet Kranke, San Serriffe, Amsterdam, 2019

The Flute (2018) Kölnischer Kunstverein, Cologne

In the framework of “Cut-Up,” “Sorry I’m Late. XOXO Echo.” Organized by Taylor Macklin and Wolfgang Tillmans.

Performance view, The Flute, Kölnischer Kunstverein, Cologne, 2018