Berlin Piece for Voice and Tap Dance, Excerpt (2025)
Excerpt of the 6-channel audio installation created for the 13th Berlin Biennale.
Audio
Stitch Theory, Excerpt (2024)
This audio poem was written for c0da.org, a research project and publishing platform conceived by artist Katrin Mayer that deals with feminist modes of coding and writing. Developed during a grant of the Berlin Artistic Research Programme (2020/2021) and in close collaboration with graphic designer and programmer Anna Cairns, it interweaves the herstory of the internet with herstories of writing.
Lüsterweibchen / A Chantar (2023)
The sound piece Lüsterweibchen emerged from research into the female troubadours (trobairitz) of 12th- and 13th-century Occitania (present-day southern France). Their courtly lyrics operated as performative, semi-improvisational spaces for subtle political critique, coded eroticism, and shifting gender dynamics within a rigid social order. The work features a recording of the first stanza of A Chantar by the Comtessa de Dia – the only surviving song by a trobairitz with its melody – sung in Occitan and activated by a motion detector, resounding from two opposite walls.
Period Piece (2021)
Audio poem. It also exists as a video piece in which Suzie Meyer (a marionette) recites the text in a stop-motion animation.
Komm, süßer Tod (2021)
Recorded for the video Lasciatemi Morire.
Lasciatemi morire (2021)
Monteverdi piece recorded for the video Lasciatemi Morire.
Passion’s Content, Excerpt (2020)
Song, poem, and interview on Sarah Johanna Theurer’s radio show Portals on Cashmere Radio, live at Lenbachhaus, Munich, in the framework of Radioactivity. Listen to the full episode here.
The Acquisition of Language & The Language of Acquisition, Excerpt (2019)
Excerpt of a long poem created for the Pogo Bar Podcast of KW Institute for Contemporary Art, Berlin. Listen to the full piece here.
In The Acquisition of Language & The Language of Acquisition, artist-poet Luzie Meyer traces the capacity of language to both confine and liberate, and the verbal means of expression available to us in times of digital media and algorithms. With the faculty of being able to express oneself through these forms (templates) comes the problem of false equivalence or commensurability: unlike the spider that mechanically reproduces the same pattern again and again, The Acquisition of Language & The Language of Acquisition explores the gaps and interstices in which such tools and formats might be used for different and poetic ends.
Mouthpiece, Excerpt (2018)
Created for a group exhibition based on Studio for Propositional Cinema’s script Terms and Conditions: A Sonata for Two Women, Prosjektrom Normanns, Stavanger, Norway, 2018.
I can use eggs however I please (2018)
Recorded while smoking a cigarette.
Sigh No More (2017)
For Der Tempest, a performance by Pure Fiction at Kunsthalle Darmstadt.